The two grand 14th-century arches of the Brà gateways at dusk, with the clock donated by Count Antonio Nogarola in 1871 at their centre
The grand pronaos and Corinthian colonnade of the neoclassical Barbieri Palace in Piazza Brà at dusk
On the left, the two rows of arches of the Arena in Piazza Brà; on the right, Palazzo Barbieri at dusk
A horse-drawn carriage parked in Piazza Brà, with the magnificent Arena in the background
The Reale Mutua Assicurazioni building in Piazzale Porta Nuova
The coat of arms of the city of Verona flanked by two griffins, situated above Porta Nuova
The central archway of Porta Nuova, surmounted by the head of Jupiter Ammon, a large Doric-style pediment and flanked by two paired stone columns
The Porta Nuova, built of white stone and designed by the Veronese architect Michele Sanmicheli in 1540
The Civic Library building, formerly the Church of San Sebastiano, with the bell tower next to it, in Via Cappello
Ponte della Vittoria, built in 1931 to a design by the engineer Ferruccio Cipriani and the architect Ettore Fagiuoli
A white stone plaque in the centre of the Pietra Bridge, with the church of San Giorgio in Braida in the background
The 92.80-metre-long parapet of the Pietra Bridge over the River Adige
The River Adige, spanned by the five-arched Pietra Bridge, formerly known as the Pons marmoreus in Roman times
Panoramic view of the city of Verona, with the River Adige and the Ponte Pietra
Castel San Pietro, a Visconti military fortress built on the hill of the same name, erected at the behest of Giangaleazzo Visconti in 1398
Three paintings hanging in the women’s gallery of the church of San Giovanni in Foro, depicting, from left to right, the Madonna and Child, the Blessed Virgin and the Guardian Angel
Statue of Our Lady of Loreto in the church of San Giovanni in Foro
Three statues in a niche, including Saint Pio (left) and Saint Jerome (right), in the church of San Giovanni in Foro
The chancel of the church of San Giovanni in Foro, with its 18th-century altar and the painting by Gobbino (1591) depicting Jesus on the cross
The Renaissance portal of the church of San Giovanni in Foro on Corso Porta Borsari, featuring statues of Saint Peter, Saint John the Evangelist and Saint John the Baptist, by Gerolamo Giolfino
On the right is the Bevilacqua-Lazise altar in the church of Santa Anastasia, dedicated to the Immaculate Conception, by Orazio Marinali
The decorated ribbed vaults of the Basilica of Saint Anastasia, supported by columns with Gothic capitals
The Pellegrini Chapel in the Church of Santa Anastasia, with the tomb of the Bevilacqua and Pellegrini families on the left, designed by Antonio da Mestre and decorated by Martino da Verona (1382)
Altarpiece entitled ‘Madonna Enthroned between Saints Thomas and Augustine’, by Girolamo dai Libri, on the Centrego altar in the Basilica of Santa Anastasia
Two statues of angels with garlands, at the entrance to the Chapel of Our Lady of the Rosary in the Basilica of Saint Anastasia
The chancel of the Church of Santa Anastasia, with its marble high altar (1952) and, on the left, the monument to Cortesia Serego, probably created by Pietro di Nicolò Lamberti in the 15th century.
The large chancel of the Church of Saint Anastasia, with the apse at the rear illuminated by five single-lancet windows
The three naves of the Church of Santa Anastasia, divided by columns of white and red Veronese marble
The Gothic portal dating from 1330 at the Church of Santa Anastasia, splayed by five round arches in white, red and black marble and decorated with three lunettes
The gabled façade of the Church of Santa Anastasia, flanked by two chimneys and, to the right, the Palazzo dell’Aquila, home to the Hotel Due Torri
The sarcophagus of Guglielmo da Castelbarco, supported by two heraldic lions, with a bas-relief in the centre depicting Guglielmo kneeling before the Virgin Mary, probably by Rigino di Enrico
The unfinished terracotta façade of the Church of Santa Anastasia, with the tomb of Guglielmo da Castelbarco to the left
To the left of the house are the ancient Walls of Gallienus, situated in the square of the same name, and to the right is Via Leoncino
Pinnacles and spires of the apses of the Church of San Fermo Maggiore
The rear of the church of San Fermo Maggiore, adorned with spires and pinnacles, with the tall bell tower standing beside it
The portico with a cross-vaulted ceiling at the side entrance to the church of San Fermo Maggiore
A 14th-century sepulchral altar, containing the remains of the Aventine physician Fracastoro, situated on the left-hand side of the façade of the church of San Fermo Maggiore
The façade of the church of San Fermo Maggiore, where the Gothic style (upper façade) blends with the older Romanesque style (lower façade)
Monument to King Umberto I of Savoy, a bronze sculpture by the sculptor A. Cristani, unveiled in 1906 on the Lungo Adige in Rubelle
Junction of Ponte delle Navi, Lungomare Bartolomeo Rubele and Via Leoni
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Fotografie di Leonardo Bellotti
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