The Palazzo Sant'Anna in Via Santa Lucia, with the Porta del Sole on the right
The Bombarde viewpoint on Via Roma, a vantage point overlooking the village
Panoramic view of the village from the Bombarde viewpoint
The village rooftops as seen from the Bombarde viewpoint
Panoramic view of the village and Via Cirillo from the Bombarde terrace
Church of Santa Maria del Mastro, founded in 1083–1084 during the Norman period
The Co-Cathedral of Santa Maria Assunta and, on the right, the Arch of the Bishops in Piazza Tribuna
The portal of the right transept of the Cathedral, surmounted by the mosaic of the Madonna and Child
Detail of the apse with window in the Cathedral of Santa Maria Assunta in Piazza Tribuna
A column in the apse of the Basilica of Santa Maria Assunta and, on the right, the Arch of the Bishops in Piazza Tribuna
The Porta dei Vescovi or Porta della Meridiana, overlooking Piazza Tribuna
The ancient sundial at the Porta dei Vescovi in Piazza Tribuna
The square, neoclassical bell tower of the Cathedral of Santa Maria Assunta
The courtyard in front of the Basilica of Santa Maria Assunta, with the bell tower on the right
The bronze sculpture commemorating the Jubilee of the Year 2000 at the base of the Campanile, depicting the opening of the Holy Door, by the sculptor Rosario La Seta
The central nave of the Cathedral of Santa Maria Assunta, a Byzantine-Norman-style basilica
The funerary monument to Bishop Ottaviano Pasqua (1575–1591), situated to the left of the nave of the Cathedral
The funerary monument to Bishop Domenico Diez De Aux (1689–1729), situated to the right of the nave of the Cathedral
The ecumenical altar in the Cathedral, consecrated by Bishop Bregantini and the Greek Orthodox Metropolitan Spiridione in 1995, dedicated to the unity of the churches
The Madonna of the Immaculate Conception, who saved Gerace in 1943 from the explosion of a munitions depot, inside the Cathedral
The majestic drapery forming a crown, situated above the canopy of the Madonna dell’Immacolata, inside the Cathedral
The round arches and the wooden truss ceiling of the Basilica of Santa Maria Assunta
The coat of arms of the municipality of Gerace, depicting a crowned sparrowhawk with the motto “Solum Deo Subiecti”, in the centre of the paving in Piazza Tribuna
A wing of the Diocesan Museum building on Via Michelangelo Buonarroti
The Gothic portal with a pointed arch at the Church of St Francis of Assisi in Piazza Tre Chiese
The triple archivolt, decorated with motifs inspired by the Arab-Norman period, on the Gothic portal of the Church of St Francis of Assisi in Piazza Tre Chiese
The interior of the Church of St Francis of Assisi, featuring the 17th-century high altar in inlaid polychrome marble
On the left, the dome of the Church of the Sacred Heart of Jesus and the historic Via Balilla
The projecting tiled dome of the Church of the Sacred Heart of Jesus, framed by a prickly pear plant
The apse of the Greek Orthodox Church of St John Chrysostom, also known as San Giovannello, facing east, in Via Balilla
The rock-hewn church of San Nicola del Cofino, on Viale della Resistenza, on the right
Two of the three asymmetrical entrances to the early Christian rock-cut church of San Nicola del Cofino, closed off by a grille
The apse of the Church of the Annunziatella in Via Sottoprefettura, characterised by herringbone patterns and brickwork decorations
The old narrow street and walls of Via Roma, near No. 41
The ancient Via Roma, with the church of San Martino in the background
The ancient, ruined façade of the Church of San Martino, in the late Baroque-Neoclassical style, with the spired bell tower to the right
The medieval village perched on a sandstone cliff at 470 metres above sea level.
Panoramic view of the village from Provincial Road 1
The village’s hilltop position, overlooking the Locride region
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